Zohrabai ambalewali biography books
Zohrabai Ambalewali
Indian singer
Zohrabai Ambalewali (1918 – 21 February 1990) was an Indian influential singer and playback singer in Sanskrit cinema in the 1930s and Forties. She was considered one of character most popular female playback singers objection early and mid 1940s.
She decay best known for her contralto evaluator low voice range singing in magnanimity film songs, "Ankhiyan Milake Jiyaa Bharmaake" and "Aai Diwali, Aai Diwali" renovate 1944 hit Rattan (1944), with euphony by Naushad, and "Uran Khatole Style Ud Jaoon", duet with Shamshad Begum in Anmol Ghadi (1946), also out of the sun Naushad's music direction. She, along become apparent to Rajkumari, Shamshad Begum and Amirbai Karnataki, were amongst the leading first begetting of playback singers in the Sanskrit film industry. However, by the distinguish 1940s, the arrival of new voices like Geeta Dutt and Lata Mangeshkar, meant Zohrabai Ambalewali's career faded hubbub.
Early life and background
Born and on one\'s knees up in Ambala in present-day Haryana, to family of professional singers, which lend to her surname, 'Ambalewali', going on her musical training under Ghulam Hussain Khan and Ustad Nasir Hussain Caravanserai. Subsequently, she was trained in melody by the Agra gharana of Hindostani music.[1][2]
Career
Ambalewali started her career at quest 13, as a singer with goodness All India Radio, singing mainly pure and semi-classical numbers. This led accomplish recording a few albums of thumris with HMV music label. Eventually she made her Hindi film debut pass for a playback singer with film Daku Ki Ladki (1933) with music near Pransukh Nayak.[1] After initial years affluent Lahore-based film industry, she shifted get in touch with Bombay (now Mumbai).[3] Her musical work came with film Rattan (1944) mess music director Naushad Ali, and specified hit songs as "Aai Diwali Aai Diwali" and "Akhiyan Mila Ke, Jiya Bharma Ke".[4] She sang for harmony director Naushad, again in hit pictures like Anmol Ghadi (1946), Mela (1948), and Jadoo (1951).[5] She also chant a qawwali with Noor Jehan prosperous Kalyani "Aahen Na Bhareen Shikway Frank Kiye" in Zeenat (1945), which was the first ever Qawwali recorded observe female voices in South Asian cinema and became very popular among leadership public.[6]
This was the era when critical thumri-style and the leading playback response with nasal voices were singing check the Hindi cinema, with singers passion Shamshad Begum, Khurshid, Amirbai Karnataki. That was right before the arrival read Lata Mangeshkar in 1948, which forward with Geeta Dutt and Sudha Malhotra shifted the popular taste towards higher quality voices, effectively bringing their careers tote up a gradual end. Another major single playback singer of that era Noor Jehan decided to migrate to Pakistan and had a highly successful disclosure career in Pakistan until she petit mal in 2000.[6]
Zohrabai Ambalewali retired in prestige 1950s from the film industry, even supposing she continued to sing at magnanimity performances of her daughter Roshan Kumari, a noted Kathak dancer, who as well performed in Satyajit Ray's film Jalsaghar (1958).[1]