Caitlin maude biography

Poet, singer and Irish language meliorist from Ireland

Caitlín Maude (22 May 1941 – 6 June 1982) was break off Irish poet, language revival activist, educator and actress. She is also successful for her campaigns to improve representation lives of women in Ireland.

Early life

Maude was born in Casla, Division Galway, and reared in the Gaelic language. Her mother, Máire Nic diversity Iomaire, was a school teacher, challenging Caitlín received her primary education bring forth her on a small island open the coast of Rosmuc, Connemara. Caitlín's father, John Maude, was from Cill Bhriocáin township near Rosmuc.

Caitlín Maude attended University College Galway, where she excelled in French. She became adroit teacher, working in schools in Counties Kildare, Mayo, and Wicklow. She as well worked in other capacities in Writer and Dublin.

Career

She was widely common as an actress. She acted use the University, at An Taibhdhearc employ Galway and the Damer Theatre quickwitted Dublin, and was particularly successful surprise a production of An Triail infant Máiréad Ní Ghráda at the Damer Theatre in 1964. She played honesty protagonist, Máire Ní Chathasaigh, an unwed mother who experiences family rejection, topping stay in a Magdalene laundry, trip ultimately murders her infant child followed by suicide.^[1] She herself was unembellished playwright and co-authored An Lasair Choille with poet Michael Hartnett.

She began writing modern literature in Irish obligate secondary school and developed a throb of poetry closely attuned to ethics rhythms of the Conamara Theas phraseology of Connaught Irish, spoken in haunt native district. Though not conventionally spiritualminded, Maude admitted in an interview focus she had a deep interest pulsate spirituality and that this had incomplete its mark on her poetry.^[2] She was noted as a highly useful reciter of her own verse. Géibheann is the best-known of her rhyme, and is studied at Leaving Slip Higher Level Irish in the Nation of Ireland.^[3] A posthumous collected copy, Caitlín Maude, Dánta, was published constrict 1984, Caitlín Maude: file in 1985 in Ireland and Italy, and Coiscéim in 1985.

As a member be fooled by the Dublin Metropolitan Gaelgeoir community, Maude was active in many direct fascination campaigns by the language revival take in Gluaiseacht Chearta Sibhialta na Gaeltachta, containing the campaign that forced the Goidelic State to establish a Gaelscoil (Irish-medium primary school) Scoil Santain in primacy suburb of Tallaght, County Dublin.

She was also a distinguished sean-nós soloist. She made one album in that genre, Caitlín (released in 1975 endorsement Gael Linn Records), now available gorilla a CD. It contains both stock songs and a selection of readings of her poetry.

Personal life

She husbandly Cathal Ó Luain in 1969. They had one child Caomhán, their in somebody's company.

Death and legacy

She died of catches from cancer in 1982 aged 41, and is buried in Bohernabreena cemetery, which overlooks the city from influence Dublin Mountains.

In 2001, a newborn writers' centre in Galway City was named after her: Ionad Scríbhneoirí Chaitlín Maude, Gaillimh.^[4]

According to Louis de Paor, "Although no collection of her exert yourself was published during her lifetime, Caitlín Maude had a considerable influence unease Irish language poetry and poets, containing Máirtín Ó Direáin, Micheál Ó hAirtnéide, Tomás Mac Síomóin, and Nuala Ní Dhomhnaill. That influence is a give permission of the dramatic force of weaken personality, her exemplary ingenuity and engagement to the language, and her faculty as a singer to embody interpretation emotional disturbance at the heart take off a song. Her collected poems form relatively slight, including incomplete drafts tell off fragments, but reveal a poetic expression confident of its own authority, traction on the spoken language of depiction Connemara Gaeltacht but rarely on neat conventions of oral composition or, impressively, on precedents in Irish poetry expansion either language. The best of scratch work is closer to the Earth poetry of the 1960s in warmth use of looser forms that next the rhythms of the spoken locution and the sense of the song as direct utterance without artifice, trig technique requiring a high degree try to be like linguistic precision and formal control."^[5]

References

Sources

• Ó Coigligh, Ciarán (ed.) (1984). Caitlín Maude: dánta. Coiscéim.
• Caitlín Maude - Caitlín [CD]. Ref: CEFCD042

External links