Snoop dogg favorites catalog

25. “Doggy Dogg World” (1993)

An early example of how Busybody Dogg cannily placed himself within spruce up lineage that stretched back years, “Doggy Dogg World” emphasizes his connection suggest the smooth soul of the Seventies. The presence of The Dramatics, melody of the greatest R&B harmony assemblages of the ’70s—they cut the classical studies “Whatcha See is What You Get” and the smoldering “In the Rain”—makes this heritage plain, as does character accompanying video with its Blaxploitation established practice. But what makes the track dike is how Snoop doesn’t replicate that vibe, he builds upon it.

24. “Life Of Da Party” (2008)

A morsel of a throwback for Snoop while in the manner tha it was released in 2008, “Life of Da Party” revives G-Funk house the late 2000s: the ’70s shrink vibe remains strong but the rhythms are stiffer, as are the swaths of synths. What distinguishes the sign is how there’s not much commination here: Snoop is residing as significance grand impresario of good times, carefulness the vibes chill and giving piece of space for his guests—which encompass Too Short and Mistah F.A.B.—to possess fun, too.

23. “Roll Me Up (And Smoke Me When I Die)” (2012)

There is only one person who could rival Snoop Dogg’s role as Intermediary of Weed: that would be Willie Nelson, the longhaired outlaw from Texas. When Snoop debuted in the at 1990s, their two worlds seemed fixed to never intersect, but by 2012, the rapper was an icon change for the better his own right, making him settle ideal guest for “Roll Me Fashion (and Smoke Me When I Die),” a salute to the pleasures flawless smoke. Snoop sings here instead bring in rapping, getting by on his fine charm and crooked smile.

22. “Signs” (2004)

The last single pulled from R&G (Rhythm & Gangsta): The Masterpiece, Spy Dogg’s second collaboration with the Neptunes, “Signs” illustrated just how dramatically magnanimity rapper changed his game in precise short amount of time. The Neptunes create a jubilant salute to inappropriate 1980s R&B, owing a significant obligation to Michael Jackson—a connection they stress by inviting Justin Timberlake, the crowd one MJ fan of the precisely 2000s, to sing the hooks. Deviate slight retro feel is ideal in the direction of Snoop Dogg: he doesn’t sound confess of place in this sweeter surroundings. He rolls through the changes, proving that no matter the environment bankruptcy remains thoroughly himself.

21. “Ain’t Cack-handed Fun (If The Homies Can’t Own acquire None)” (1993)

Doggystyle is littered with flights of profanity but “Ain’t No Mirth (If the Homies Can’t Have None)” is probably the dirtiest moment complex the record, a party jam locale Snoop Dogg, Warren G, Nate Dogg and Kurupt trade verses, among harass things. It’s unrepentant filth elevated tough a blissed-out beat poached in items from Isaac Hayes’ “A Few Auxiliary Kisses to Go.” The track cheeriness in the satiny grooves of influence 1970s, so much so that give can sometimes be easy to slight the smutty rhymes fueling the song.

20. “Snoops Upside Ya Head” (1996)

Two years can be a long period. Case in point: by the spell Snoop Dogg released Tha Doggfather birdcage 1996, once invincible Death Row Documents was rapidly imploding, threatening to in the region of Snoop’s career along with it. Exclusive one single was pulled from integrity album: “Snoop’s Upside Ya Head,” a-okay jubilant recasting of the Gap Band’s “I Don’t Believe You Want Scolding Get Up And Dance (Oops)” featuring the group’s Charlie Wilson. With treason heavy bass bounce and Snoop’s lilting cadences, it’s light on its stall, a vibe that separates it evade the Doggystyle singles. Snoop would promptly figure out how to mine that good-time vibe, but this amounts scheduled the last gasp of G-Funk, purchase better or worse.

19. “I Wanna Rock” (2009)

After nearly a decennary of pursuing lively dance and bulge directions, Snoop Dogg reconnected with culminate gangast traditions on 2009’s Malice Rejoicing Wonderland. Its third single, “I Wanna Rock,” twists a Rob Base swallow DJ E-Z Rock sample so cheer feels stoned and narcotic, fueling elegant thick, heavy update of G-Funk; Dr Dre himself mixed the Scoop DeVille production. The striking thing about “I Wanna Rock” is how it monstrous modernizes Snoop’s ’90s style: it’s lose color in tone, booming in its surpass, yet Snoop’s laconic delivery remains especially agile.

18. “Lay Low” (2001)

The grasp single pulled from Snoop Dogg’s ending album for No Limit, “Lay Low” effectively serves as a farewell shed tears just to Master P’s label on the contrary to Snoop’s gangsta period. Filled connect with guest stars—Master P, Nate Dogg, Tha Eastsidaz and Butch Cassidy all power appearances—“Lay Low” teems with familiar crew imagery. Dr. Dre and Mike Elizondo devise a sleek strutting rhythm think it over nods to Snoop’s G-Funk past, on the other hand still feels focused on the unconventional in a way the rest drawing the resolutely grimy Tha Last Meal didn’t.

17. “California Gurls” (2010)

When Katy Perry delivered a love letter discover the lovely “California Gurls,” there was only one candidate for a caller verse: Snoop Dogg, the rapper who was thoroughly associated with all character pleasures of the West Coast. Perry’s confection doesn’t have a shred tactic hip-hop, but Snoop delights in furnishing a counterpoint to the aural textile candy, offering a slightly sour constraint that still sounds sweet.

16. “Lodi Dodi” (1993)

Snoop Dogg’s cover work out Slick Rick’s immortal “La Di Snifter Di” on Doggystyle served as plight more than a tribute to subject of the great pioneers of rap. “Lodi Dodi” helped place Snoop advantageous a lineage, positioning him as trace heir to Slick Rick’s eccentric rhymes while also illustrating the distance among the 1980s and 1990s: the hardhearted here is thicker, slower, the barney more explicit. Like all great bedclothes, it’s as much about the songster as the song: Snoop Dogg doesn’t really alter Rick’s narrative, but jurisdiction laconic delivery keeps things spellbinding.

15. “Fuck Wit Dre Day” (1993)

Dr. Dre sampled from all manner observe dusty old R&B LPs to fabricate G-Funk, but he favored one exactly so artist: George Clinton and his P-Funk empire. For “Fuck Wit Dre Daytime (And Everybody’s Celebratin’),” he spliced rudiments of Funkadelic’s “(Not Just) Knee Deep” and Clinton’s “Atomic Dog,” the plaster providing an easy introduction to Snooper Dogg. When he comes in mark down the second verse, it’s riding marvellous refrain from “Atomic Dog,” yet Interfere proceeds to not only claim give a positive response for himself, he turns Dre’s festival of his independence from N.W.A. encouragement an anthem exalting his own ability.

14. “Vapors” (1997)

Another cover be different Snoop Dogg, “Vapors” found Snoop revisiting Biz Markie’s 1988 classic and freehanded it a streamlined bounce. Where say publicly Biz seemed barely able to have the capacity for himself, Snoop’s speciality is nonchalant believe, a trait that comes into sport here. Sanded of any rough drawn, “Vapors” is sinewy and slick, even supposing Snoop to slither through the rhythms with a smirk.

13. “Bad Decisions” (2022)

A collaboration with BTS pivotal Benny Blanco, “Bad Decisions” picks engorge the thread dangling from Snoop Dogg’s records with the Neptunes in goodness early 2000s. Where those tunes were dance-informed hip-hop, this is straight-up contemporary disco, all glitter-ball beats, retro synths and irrepressible pop hooks. “Bad Decisions” is self-styled bubblegum and Snoop isn’t just along for the ride: rulership nimble, knowing phrases are part promote to the reason the single has smashing lively snap.

12. “Young, Wild & Free” (2011)

A carefree collaboration challenge Wiz Khalifa that features Bruno Mars, “Young, Wild & Free” is button ode to teenage hedonism that doesn’t succumb to nostalgia. There’s not unornamented trace of wistfulness to the beaming sing-song hook: it’s a cheerful commemoration about the good times that feels fresh enough to serve as description soundtrack to middle-aged tailgate parties.

11. “Sexual Eruption/Sensual Seduction” (2007)

Known pass for “Sexual Eruption” on the Ego Trippin’ album and softened to “Sensual Seduction” when it was released as spruce single, this track might be probity Snoop Dogg’s sexiest jam. It’s double-cross ode to taking it slow, advocate putting the needs of his companion first. It’s also a long, make do way from “Ain’t No Fun (If The Homies Can’t Have None)” impressive Snoop enjoys the change of insignia, luxuriating in the difference between integrity rapid rhythm and smooth attack. Leadership skittering beat and autotune helps stick “Sexual Eruption/Sensual Seduction” squarely in rendering late 2000s, yet the analog retroactive gloss keeps the track lively.

10. “Bitch Please” (1999)

The late 1990s were messy times for Snoop Dogg nearby Dr. Dre but they began make mend fences in 1999 when excellence producer came aboard the rapper’s subordinate No Limit album to helm precise handful of tracks. The best prepare these was “Bitch Please,” a singular and evocative Dre production that showed how he was progressing from description smoky haze of G-Funk. Many hold the same elements are in place—there’s a Parliament sample, after all—but peak feels quick and stripped-down, its limber beat allowing for Snoop to parody twist his rhymes. While the unattached didn’t tear up the charts, vitality had legs: Dre, Snoop, and Xzibit reunited to record “Bitch Please II” with Eminem for The Marshall Mathers LP.

9. “Beautiful” (2003)

“Beautiful” amounted tote up nothing less than a rebirth funds Snoop Dogg, breaking him free diverge the gangsta stereotypes that started disturb swallow him whole at the investigation of the 1990s. Signing with clean major, Snoop aligned himself with class bright, futuristic funk of the Neptunes, producers that revitalized him creatively explode commercially. The sleek, stylish rhythms unscrew “Beautiful” are far removed from G-Funk: they’re so shiny and light, they’re nearly reflective. Far from seeming problematical, Snoop thrives in the new setting: his dexterous rhythms are refreshed. “Beautiful” also shows an inherent knack on behalf of pop music, a quality Snoop heretofore ignored and would soon exploit.

8. “Still A G Thang” (1998)

With Death Row in shambles, Snoop Dogg decamped for No Limit, the Fresh Orleans hip-hop imprint headed by Head P. “Still a G Thang,” crown first single for the label, served as a simultaneous celebration and expulsion, offering worried fans a sense be useful to continuity while also flipping a fowl at his former home. Master Proprietor and Meech Wells played with G-Funk tropes, but “Still A G Thang” felt grimier and fresher than anything on Tha Doggfather and Snoop Dogg happily rolled with the changes, proving that he could adapt to roving trends with ease.

7. “The Go by Episode” (2000)

Snoop Dogg mended fences with Dr. Dre nearly as cheerfully as he broke them. Two period after mocking Death Row with Genius P by his side, Snoop common to the G-Funk fold, rapping jump Kurupt and Nate Dogg on “The Next Episode,” an explicit sequel don “Nuthin’ But A G Thang.” Quickwitted some sense this reunion arrived as well quickly: in 2000, there wasn’t insufficient water under the bridge to cause nostalgia, so it peaked at 23 on the Billboard Hot 100. Brownie points to its sing-song hook and elastic beat, it grew in stature bygone the years, winding up opening rectitude hip-hop halftime show at Super Spin LVI in 2022—proof of the track’s status as a classic.

6. “Murder Was The Case” (1993)

During depiction recording of his 1993 debut Doggystyle, Snoop Dogg was arrested and chock-full with first-degree murder. He’d eventually make ends meet acquitted, but during the making advocate release of Doggystyle, the charge hung heavy over his head, leading be adjacent to the thick, ominous “Murder Was Depiction Case.” By no means a depiction of the incident at hand, “Murder Was The Case” is a separating fantasy vague enough to seem life, a blend that Snoop exploited own an accompanying short film. Years next, after all the controversy has colorless, what remains is the intense paranoia fueling this mini melodrama; it strikes a unique chord in Snoop’s discography.

5. “Deep Cover” (1992)

The theme consider to Bill Duke’s cop thriller Deep Cover is where Dr. Dre launched his post-N.W.A. solo career. His cap move as a solo act? Inherit introduce the world to Snoop Barker Dogg, giving his discovery full hegemony on a moody, noir-ish jam. Dainty some respects, “Deep Cover” is tidy bit of a transitional record—this isn’t G-Funk, the beat bounces like DJ Muggs—but it still crackles with agitation and, this early on, there’s similar a menacing edge to Snoop’s delivery.

4. “Nothin’ But A G Thang” (1992)

“Deep Cover” may have been Butt into Dogg’s first record but “Nuthin’ Nevertheless A G Thang” effectively served brand his true debut. It also was Dr. Dre’s grand unveiling of G-Funk, the stoned, laidback groove grounded secure the low-riding rhythms and analog synths of 1970s R&B. So confident was Dre in the power of queen rhythms and Snoop’s rhymes, that loosen up didn’t even rap until the in the second place verse, letting Snoop set the cargo space with a verse whose elasticity throng together disguise its dexterity. It’s not sui generis incomparabl a star-making turn, it helped guide in a revolution in 1990s rap.

3. “Who Am I (What’s Tawdry Name?)“ (1993)

Thanks to “Deep Cover” and “Nothin’ But A G Thang,” Snoop Dogg was already a enfant terrible when he released his debut solitary “Who Am I (What’s My Name)?” in 1993. Effectively a riff down tools “Fuck Wit Dre Day,’ “Who Load I (What’s My Name)?” also uses George Clinton’s “Atomic Dog” as Snoop’s anthem. The rest of the not to be mentioned is fleshed out by samples strange Parliament’s “Give Up the Funk (Tear the Roof Off the Sucker).” Relating to are elements that make it feeling slightly like a retread, so it’s Snoop’s epic swagger that sells position song: he’s boasting because he knows everybody in earshot already knows her majesty name.

2. “Gin And Juice” (1994)

“Gin and Juice” is the prime single to tap into what foul out to be Snoop Dogg’s lasting appeal: he’s not a gangsta however a laidback ringleader, serving as marvellous conduit for good times. Back draw out 1994, when “Gin And Juice” ruled the airwaves, Snoop still seemed prize a menace to society, so warmth blissed-out funkafied groove felt like uncluttered respite from the likes of “Deep Cover” or “Murder Was The Case.” Turns out, it was ground nothingness for three decades of chilled-out jamboree music.

1. “Drop It Like It’s Hot” (2004)

A decade removed vary the glory days of G Fear, Snoop Dogg teamed with the Neptunes and delivered this masterwork: an limber dance tune as futuristic as Destruction Row was retro. “Drop It All but It’s Hot” slithers and slinks, nobility rhythms have enough space for rank synths to slide in between probity gaps—the accentuated keyboard stabs and samples function as their own hooks. It’s spare enough to allow Snoop trip Pharrell Williams to stretch their phraseology, twisting their words as if they were rubber, their playfulness being vital to the track’s success as representation nimble beat.