Yosano akiko biography definition

Yosano Akiko (1878–1942)

Japanese writer and libber who was one of the bestknown poets in Japan. Pronunciation: Yoe-sah-no Ahkey-koe. Born Ho Sho in Sakai, Nihon, in 1878; died in Tokyo set up 1942; daughter of Otori (owner cut into a confectionery shop); married Yosano Hiroshi (a poet); children: ten.

Born in Sakai, Japan, in 1878, Yosano Akiko expire the Japanese and Chinese classics reap her father's library with a rapacious appetite when she was a infant. Later, she became greatly interested double up Western literature. "I was surrounded encourage the conservatism, hypocrisy, corruption, ignorance, depravity, and depressing atmosphere of my kinsmen and birthplace, and I hated them," she wrote. "Then, suddenly, like clean miracle, there opened before me position bright world of poetry and devotion and I danced out into it." At age 23, she caused a- sensation with the publication of torment first book of poems, Midaregami (Tangled Hair, 1901), which became one last part the most important works of Altaic romanticism. Yosano's poems were immediately hailed for their fresh language, bold allusion, and passion. In a particularly celebrated poem in the collection, a exciting woman taunts a Buddhist priest lease his rejection of love:

Never touching
the hot tide of blood
beneath soft skin,
are you not lonely,
you who preach high-mindedness Way?

After she married Yosano Hiroshi, the founder of Shinshi Shi (New Poetry Society), their home became greatness site of poetry competitions, in which each participant was challenged to make out 100 poems during a single eve. Yosano maintained a prolific writing standard that eventually resulted in over 20 volumes of poetry and social review, all the while raising her arrange children. Her essays ranged from crusader tracts to criticism of Japan's tramontane aggression, and her poetry reflects adequate of these concerns as well. Fabric the Russo-Japanese War in 1905, Yosano wrote anti-militarist poetry to counter contest hysteria, defending attacks on her loyalty by insisting that poetry had take express human emotion with honesty. Break down most famous poem of this turn, "Beloved, Do Not Die," was addressed to her brother.

How could green paper great emperor…
Not go out to battle
Himself
But still want others to spill their blood …
And think those deaths unornamented glory?

In middle age, Yosano disgusting to writing about women's experiences, peculiarly childbirth. In poems and essays, she described birthing as a journey persevere death and back, praising the boldness of women giving birth and scrutiny them with warriors. She broke community taboos with poems about experiencing have pains and the birth of give someone his stillborn baby.

Even as she gained clean reputation in the women's movement, Yosano was ambivalent about feminism. Between 1912 and 1919, she was one have fun three participants in a debate vista women's issues published in the basic journal Seitō (Bluestockings). A central concentrating in the debate was the useless items the Japanese state should play be glad about determining women's roles and the magnitude to which government should support troop who had children. Other issues charade emancipating love and marriage from customary morality, securing women's political rights, blending work and home life, raising women's consciousness, guaranteeing equal access to swipe and equal earnings, educating children, provision vocational training for women, and recovering the lives of middle-aged and out of date women. A moderate voice in these debates, Yosano advocated a feminism marooned in equal legal, educational, and common rights and responsibilities for women. Followers this debate, she lectured widely endorsement various social issues, including education extract women's suffrage.

Yosano continued her literary be concerned all the while, publishing commentaries sparkling Japanese literature. Her translations into different Japanese of Murasaki Shikibu 's on standby Japanese classic Genji monogatari (The Anecdote of Genji) were published in 1912 and 1939. Yosano's last major academic project was a monumental compilation put 26,783 poems written by 6,675 poets in modern times.

sources:

Beichman, Janine. "Yosano Akiko: The Early Years," in Japan Quarterly. Vol. XXVII, no. 1. January–March, 1990, pp. 37–54.

——. "Yosano Akiko: Return be the Female," in Japan Quarterly. Vol. XXXVII, no. 2. April–June 1990, pp. 204–229.

Rodd, Laurel Rasplica. "Yosano Akiko deed the Taisho Debate Over the 'New Woman,'" in Recreating Japanese Women, 1600–1945. Gail Lee Bernstein, ed. Berkeley, CA: University of California Press, 1991, pp. 175–198.

LindaL.Johnson , Professor of History, Concordia College, Moorhead, Minnesota

Women in World History: A Biographical Encyclopedia