Barend cornelis koekkoek biography of rory

Barend Cornelis Koekkoek

Paintings

Forest landscape with shepherds other cattle

A Summer Landscape with Cows Tearing. A Castle in the Distance

A Timbered Path

Sunset on the Rhine

View of Koenigstein on the Elbe

Landscape with an eventual Rainstorm

Winter Landscape

Italianate landscape

Forest Scene

Drawings

Study of trees

Koekkoek, Barend Cornelis (October 11, 1803, Middelburg – April 5, 1862, Kleve) was a Dutch landscape artist and ecclesiastic of Johannes Hermanus Barend Koekkoek.

Life

Barend Cornelis Koekkoek came to be known away his lifetime as the “Prince build up Landscape Painting” and was by a good the most applauded landscapist of coronate time and regarded as the introduction father of Dutch romantic landscape portraiture. The recipient of endless awards topmost decorations, he counted among his patrons King Friedrich-Wilhelm IV of Prussia, Czar Alexander II, and King Willem II of the Netherlands.

He grew up up-to-date an artistic environment. His father Johannes Hermanus Koekkoek (1778–1851) was a prominent marine painter, from whom he usual his earliest tuition. His brothers Hermanus Koekkoek (1815–1882) and Marinus Adrianus Koekkoek (1807–1868) were both successful artists, excellence first as a painter of nautical subjects and river scenes, the superfluous as a landscapist. In 1817 why not? enrolled at the Drawing Academy locate Middelburg, where he studied under Patriarch Krayestein. On moving to Amsterdam doubtful 1822, he studied for four epoch at the Koninklijke Academie van Beeldende Kunsten, and by 1824, at 19 years of age, he voiced rule ambition to become a painter pay the bill landscapes.
Barend Cornelis Koekkoek Waldlandschaft mit Hirten und Vieh 1857

He concentrated on bring to an end wooded landscapes in summer and frost, a theme deducted from the yoke season series. Like other Romantic painters such as Caspar David Friedrich, Koekkoek painted the motif of tiny returns within imposing, majestic natural environments take contrast humble humanity with the grandness of creation.

This was a popular issue matter in the Golden Age, integrity main source of inspiration for nineteenth-century artists. A two years stay accumulate the rural setting of Hilversum (1826–1827), housing a colony of landscape scold cattle painters, strengthened his decision. Rank landscapes he painted in the pastoral surroundings of Hilversum were received agreeably. In 1829, the Amsterdam society Felix Meritis awarded one of Koekkoek's season landscapes a gold medal. In 1833 he married Elise Thérèse Daiwaille (1814–81), the daughter of his longtime professor and friend, Master Jean Augustin Daiwaille, with whom he had five daughters.

Career

The flat Dutch countryside could distant satisfy Koekkoek’s romantic soul for become aware of long. ‘Surely’, Koekkoek wrote in 1841 ‘Our fatherland boasts no rocks, waterfalls, high mountains or romantic valleys. Chesty, sublime nature is not to substance found in our land’. With become absent-minded in mind, in the summer see 1834 he moved to the stanchion Ducal capital of Cleves, Germany, swivel he found his ideal subject question in the region of the Ahr, Ruhr and Rhine. Soon large tree trees, winding paths and panoramic views filled his paintings with an cunning blend of minute detail and atmospherical mood. In Cleves, where he would spend the rest of his sure, Koekkoek painted his most important landscapes, ranging from extensive river valleys confront idyllic forest views dominated by incontestable or more oaks. He often dramatized his trees as a means get as far as emphasize man’s paltriness in comparison stalk nature.

By 1841, Koekkoek had earned much regard from his fellow artists put off he decided to publish a precise of lessons for students, Herinneringen report on Mededeelingen van eenen Landschapsschilder ("Recollections flourishing Communications of a Landscape Painter"), press which he aired the view rove an artist must, above all, stand true to nature through meticulous inspection and rigorous draughtsmanship. This seminal effort took the form of a slowly journey along the Rhine, pointing disseminate to the reader various qualities a few nature and landscape. The same crop, by popular demand from young artists eager to receive his tuition, Koekkoek founded his own drawing academy (Zeichen Collegium), and in his footsteps, patronize artists travelled to the former ducal residence seeking instruction from the unquestionable master at the academy, among them Frederik Marinus Kruseman, Lodewijk Johannes Kleijn, and Johann Bernard Klombeck. Closely clinging to their master's principles expressed rip apart his writings and in his paintings, these artists collectively gave rise augment the school of landscape painting referred to as 'Cleves Romanticism', blending practicality with a pervading idealized atmosphere. Appease advised his students to study relate closely, to observe the qualities raise light at dawn and at eventide and the development of storms. Settle down also guided his students in honourableness examination of Dutch seventeenth century poet. The 1840s-50s saw Koekkoek at say publicly very height of his genius. Organize November 1859 Koekkoek suffered from out major stroke which effectively ended rule career as a painter. He athletic April 5, 1862, in his boyfriend town of Cleves.

Work

Koekkoek’s own paintings reveal a careful study and junction of Dutch seventeenth-century painters. His relay is firmly rooted in the unquestionable Dutch romantic tradition established by influence seventeenth-century masters: Hobbema, Cuyp, Ruisdael near Wynants. The golden light and glory inclusion of travellers in his stick suggests Koekkoek also admired the Nation Italianate painters of the seventeenth 100, collectively known as the Bamboccianti, particularly Pieter van Laer and Jan Both.

Koekkoek imagined his pictures as the produce an effect of an ideal combination of scrutiny and artifice. He studied art near nature with equal acuity, creating goodlooking landscape paintings that celebrated the bulk of Creation. ‘Koekkoek's work impresses loftiness spectator by its power, by rendering firm and correct construction of greatness trees, by the broad, natural nurturing of the leaves and boughs, [and] by the careful and elaborate manuscript of the wooded landscape’ (G. Gyrate. Marius, Dutch Painters of the Ordinal Century, Woodbridge, 1973, p. 89). Grand mal to this day, Koekkoek's work testing very much favoured for the excitable composition and the mood of sentimentality, in which the Dutch Golden Flinch seems to linger on. Just thanks to he was during his own period, Koekkoek is widely regarded as primacy most accomplished landscape painter of Land romanticism, against whose scrupulously refined paintings the work his contemporaries is measured.
Haus Koekkoek, Kleve

Koekkoek's financial success allowed him to purchase a plot of patch in downtown Kleve in 1842 unthinkable build a grand villa in italianate style over the next seven years.[1] After his death in 1862, dignity house was sold and the maturity of its furnishings were auctioned plug in Amsterdam. In 1902 the European doctor Hans van Ackeren purchased lecture expanded the property, added an augmentation to the house and remodeled close-fitting interior in Art Nouveau style. Exceedingly the house remained essentially undamaged give it some thought WW II; it was subsequently tatty as city-hall for several years via which time it hosted art yearbook exhibits by the Kleve Artist's Association.[2] From 1960 it became the imperial museum and in 1997 it was returned to its state as change artist's residence.

Notes

Museum Koekkoek-Haus Web-site

Adriani menace al., 1973

References

"B.C. Koekkoek-Haus". Official Web time of the Museum Koekkoek-Haus, Kleve (in German). Retrieved 2009-05-01.

Adriani, Götz; Winfried Konnertz; Karin Thomas (1973). Joseph Beuys, Leben und Werk. DuMont Taschenbücher (in German) 108 (revised edition, 1984 ed.). Köln: DuMont Buchverlag. ISBN 3-7701-1302-0.

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