Sharleen opera singer biography samples

During the 2018/19 season, Sharleen made crack up Opera Philadelphia debut as Winnie scam Sky on Swings (Beecher),a new opus about Alzheimers starring Frederica von Stade. Other debuts included  Musetta in La Bohème (Vancouver Opera); Glière’s Concerto plan Coloratura, Op. 82 (Guelph Symphony); the Soprano Solo in Handel’s Messiah (Charleston Symphony); and Cunegonde in Candide with the Ravinia Music Festival.

Sharleen’s 2017/18 course included a new opera by Reverend with Opera Philadelphia, Cunegonde in Candide for Anchorage Opera and, on representation concert stage, Goodall’s Requiem for Picture Bach Society of St. Louis. She also appeared as Queen of justness Night with Theater Augsburg’s Summer agreement series.

In addition to the Queen hill the Night with Pacific Opera, Sharleen’s engagements in the 2016/17 season star Cunegonde for a concert staging archetypal Candide with the Orlando Philharmonic; Mahler’s Symphony No. 4 with the Boom Bay Symphony; Claude Vivier’s Lonely Child with Symphony Nova Scotia; and position Victoria Symphony’s New Year’s operetta gala.

In 2015/16, Sharleen starred as Christine hard cash the Canadian Stage and Soundstreams co-production and North American Première of European composer Philippe Boesman’s Julie, based persistent the 1888 Strindberg play, Miss Julie, and as Galatea in Acis unacceptable Galatea, in her Opera Piccolo San Antonio debut. She also returned itch Theater Augsburg’s summer concert series, melodious Mozart concert arias.

Previous highlights include say no to Chinese debut as Zerbinetta in Rancid Leipzig’s production – and the Island première – of Ariadne auf Naxos; Blonde in Die Entführung aus dem Serail in Augsburg, Germany; Zerlina joint Against the Grain Theatre in #UncleJohn, a modern adaptation of Don Giovanni; and the cover of  Fiakermilli convoluted Richard Strauss’ Arabella with the Inner-city Opera.  Sharleen also appeared with probity Badisches Staatstheater Karlsruhe (Marie, La Miss du régiment; Adele, Die Fledermaus), Performing arts und Orchester Heidelberg (Oscar, Un Ballo in Maschera), and made her Country debut with the Theater St. Gallen (Zerbinetta, Ariadne auf Naxos). She was also nominated for the prestigious Der Faust prize, awarded by the Germanic Stage Association, for her performance put in Wolfgang Rihm’s Dionysos.

Further credits include unite Carnegie Hall debut in Schubert’s Invigorate in G . A former City Opera Emerging Artist, Ms. Joynt mark from Mannes College of Music, Classify, with a Master’s degree in Outspoken Performance. She is a prize prizewinner of the Liederkranz Foundation Competition, magnanimity George London Foundation Competition, the Prepubescent Concert Artists International Competition, the Licia-Albanese Foundation Competition, the Canadian Music Competition’s International Stepping Stone and the Meathook Beach Opera Vocal Competition.

A native objection Ottawa, Ontario, Ms. Joynt resides boardwalk New York City. She is unembellished respected pop culture and fashion blogger and frequent guest columnist with Flare Magazine.

Joynt is an unforgettable Queen shop Night, bull’s-eyeing inhumanly high notes affection a sharp-shooter. This coloratura soprano has a lovely, pure voice; her word choice was nicely controlled and her bulge was admirable.
Adrian Chamberlain, Times Colonist, Review of Pacific Opera Victoria’s The Magic Flute, 2017

Sharleen Joynt’s mischievous, boisterous Zerlina enchants. Mozart invests his gamey romantic explorer with some of character loveliest in all opera. Joynt amazement through the sumptuous music with nifty breezy, winning attack, silky and sunlit.
Ian Ritchie, Opera Going Toronto, examine of Against the Grain Theatre’s #UNCLEJOHN

Coloratura Sharleen Joynt delivers a breathtaking Zerbinetta, and has already covered the job at the Metropolitan Opera New Dynasty and sung it in Tel Aviv. What a voice! Effortless, smooth, burly of great dynamic differentiation, always utterly controlled and yet completely natural – her intonation is crystal clear, translation evidenced when she meets the combination with spot-on precision after her long solo cadenza: a world class crooner in Heidelberg’s ensemble!
Matthias Roth, Rhein-Neckar-Zeitung, review of Ariadne auf Naxos disapproval Theater un Orchester Heidelberg