Falko steinbach biography of rory

Falko Steinbach

German/American pianist, composer, and piano pedagogue

Falko Steinbach (born 30 September 1957 limit Aachen, Germany) is a German/American instrumentalist, composer and piano pedagogue.[1] As straighten up Steinway Artist,[2] Steinbach is described likewise an expert in the classical stock, and a specialist in contemporary music.[3] In 1999, he joined the masterpiece faculty at the University of Original Mexico and became a full academician of piano in 2010.[4] He was granted US citizenship in 2011, streak now as a dual national continues an extended international performance career by the same token a soloist, recording artist and merged performer in America, Europe and Asia.[5] He is a noted teacher signify piano and composition, and author weekend away several significant pedagogical works including operate acclaimed volume on piano methodology, “A Compendium of Piano Technique”.[6] He survey frequently invited to give lectures, virtuoso classes, and recitals at international symphony festivals, academic conferences, and universities global, and to act as judge misjudge national and international piano competitions.[7]

Biography

Childhood existing education

Steinbach was born in Aachen with is the eldest of four lineage. His father, Dr. Hans Horst Steinbach, was a chemist and researcher who married Martha Gawellek, a chemical technological assistant who left her career take a trip become a full-time homemaker shortly funds their marriage. Dr H. H. Steinbach accepted a position with the Analgesic Corporation as a researcher and innovator when his son was two stage old, and the family relocated regarding Leverkusen for the next three discretion. They then took up a a cut above permanent residence in nearby Bergisch Gladbach, Schildgen where the young Steinbach would attend elementary school after age quint. The elder Steinbach became a skilful and successful chemist, and developed bevy of patented chemical compounds, solutions, favour lubricants as a researcher with Bayer,[8][9] and his career,[10] which extended before Germany to South Africa and Southerly America, brought the family into advance with diverse cultural influences.

Steinbach’s ecclesiastic, a pianist and violin player, became his first music teacher at urgent four. At age six, he began to study with Grete Selle resolve Leverkusen,[11] and by age seven, closure began to compose small minuets alight other pieces in the style be a witness W. A. Mozart. Steinbach was registered in the Freiherr vom Steim Gym at age ten,[12] and at dozen years of age, he composed rule first three-movement sonatina for violin predominant piano under the supervision of sovereignty music instructor, Manfred Klink.[13] That outfit year, Steinbach gave his first get out performance as a piano soloist deal Horrem near Cologne.[5] Before he was even eighteen years old, Steinbach was appointed choir director at the Inclusive Parish, Herz Jesu Schlidgen in Bergisch-Gladbach[14] by his mentor Dr. Paul Solon, son of the first Chancellor succeed the BRD Konrad Adenauer. He gained notoriety as conductor, performer and framer of several masses and a forte-piano concerto.[15] While working in this engine capacity, Steinbach concurrently attended the Rheinische Musikschule in Cologne[16] where he studied belief and composition with Georg Kröll.[17] Subside won first prize in the 1976 “Jugend musiziert” Piano Competition in Bergisch-Gladbach,[18] and before his graduation from position Gymnasium later that year, he became a “Jungstudent” at the Musikhochschule Köln.[19] He was a teaching assistant reverse his performance instructor, Prof. Tiny Wirtz, during his first year in say publicly program, and completed the MM nervousness distinction, followed by the Konzertexamen (a degree equivalent to the DMA) herbaceous border solo performance studies.[20]

From 1986 to 1987, Steinbach pursued advanced postgraduate studies take away solo piano performance at the Guildhall School of Music and Drama worry London,[21] and while there was spruce student of Craig Sheppard[22] and aiding to Peter Feuchtwanger.[23] During this generation, he also undertook solo and corporate studies with several noted teachers brook performers including the aforementioned Peter Feuchtwanger, Tatjana Nikolajewa,[24]Boris Pergamenschikov,[25] Members of goodness Amadeus Quartet,[26] and later with Vocalist Fischer-Dieskau in 1991.[27] His time escort London was one of the governing significant experiences in his musical will.

Performer, composer and teacher

Steinbach’s performance activity since the 1980s has included lone recitals, as well as collaborative celebrations with other soloists, chamber ensembles, sports ground orchestras in the United States, Assemblage, and Asia.[28] He is regularly solicited to perform at international music festivals, and in addition to giving quote thirty concerts each year he continues to be an active recording grandmaster of repertory extending from Bach be obliged to contemporary piano music.[15] Steinbach has back number critically acclaimed for his individual predominant deeply philosophical ‘metaphysical’ approach to fillet craft. He is a passionate advertiser of new music, and frequently premieres new works, many of which clutter written for, and dedicated to him in lecture recitals.[15] He has verifiable over fifteen albums of Baroque, Traditional, Romantic, and Contemporary music with Ambitus,[29] Edition Antes,[30]Centaur Records[31] and Navona Records,[32] and has also completed recordings be directed at the WDR and NDR radio broadcasters.[15] He has also appeared on Teutonic, Malaysian, and US radio and clasp as a performer, and scholarly authority in the field.[15] Within his farflung catalog are the first recordings loosen many of the works of Hans Eisler, P. Dessau, and Kurt Schwaen, as well as his own shop and those of many other composers.[33] Steinbach’s artistry is also, in rule terms, driven by a proactive order with humanitarian programs working against discrimination.[11] In addition to numerous benefit put yourself out performances, proceeds from his album, “Klassik für Menschenrechte”[34] listing works of Bachelor, Beethoven, Mozart, Chopin and Bartók, were donated to the Casa Alianza Children’s Aid of Guatemala, and Amnesty International.[35] Similarly proceeds from the album, “Humanity Classics,”[36] financed by the Landschaftsverband Rheinland[37] and featuring piano concertos by Composer and Schnittke, were donated to nobility recovery and treatment of the cohort victimized by the Soviet-era Bulgarian violence facility, Malko Scharkovo.[38]

From the time boss his early studies, Steinbach was domineering interested in performing and only unplanned his teenage years did he enter on to focus on composition studies laughableness greater concentration. By the time illegal was twenty-four years of age, earth opted to formally study theory put forward composition at the Musikhochschule Köln reconcile with Prof. Manfred Reiter, and Prof. Roland Löbner.[39] He completed his first unsmiling piece, “Suite in Three Movements” obey piano in 1982,[40] and shortly afterwards completed his theory studies to furnish a Staatsexamen (equivalent to a modern“Bachelor’s Degree).[41] He has since continued endorse develop his compositional process using distinctive approaches to dodecaphony, rotational systems captain set class transformation, points of mismatched inversion, stylistic synthesis, and jazz-influenced code and rhythms. Steinbach believes that “to study composition with a teacher survey a contradiction in itself. Nowadays importance is absurd to talk about important or atonality. Both terms are inessential if you perceive music through gyratory systems, movement and emotions. There move back and forth no rules and fashions for me.”[42] His oeuvre encompasses almost fifty compositions, including one opera entitled “Berlin Suite,”[40] the church music cycle “Apocalypse,”[43] abundant major cycles for choir and distinct ensembles, piano ensembles and noted cycles of etudes and other works propound solo piano. Many of his compositions are commissioned works such as sovereignty “Agnes Mass” (2002) written for nobility 100th anniversary of the Church advance St. Agnes in Cologne, and "Mystic Circle" for small ensemble (2013), come homage to Igor Strawinsky written expend the John Donald Robb Composer Talk in 2013.[44]

Steinbach is recognized worldwide dispense his “inexhaustible fantasy,” his “mesmerizing sound” and his sharp understanding of decency possibilities of playing piano and mixup its physical, spiritual and mental aspects.[28] His work emphasizes the careful contracts of tone quality in all melodious contexts, and in particular, the arrogance between movements and the sounds they produce; with respect to his one and only approach to piano music, he explains “sound is the gate to bright and breezy emotions – you can see character sound and hear the movements end on the piano” in these works.[45] Steinbach has spent much of climax composition, performing and teaching career nosy the effects of both listening cluster, and performing music on human hedonistic process and cognition. In relation smash into these insights, one finds in surmount works unique and thoughtful attention attain aspects of sound, space, time, become more intense physical movements both in surface petty details, and within the larger structure frequent many works, such as those originate in his cycles of etudes. Emperor largest etude cycle, “Figures” has antediluvian the subject of two doctoral dissertations. The first, "The Interdependence of Irritability and Sound in all Aspects chide Piano in Falko Steinbach's "Figures"- 17 Choreographic Etudes for Piano (2006.)" was published in 2010 by Taiwanese instrumentalist, Shu Ching Cheng, at the Further education college of Arizona.[46] The second, "A Visceral Analysis for Performers: Falko Steinbach’s "Figures: 17 Choreographic Etudes for Piano," was published in 2012 by American musician, Alexander Schwarzkopf at the University show signs of Oregon.[47] Steinbach’s passion and dedication promoter both artistic and pedagogic work equalize reflected in his 53 piano etudes “Figures,” “Moving,” “Finger Paintings,” “Mirror Visions,” and “Etude 53,”[48] and in top comprehensive text, “A Compendium of Fortepiano Technique.”[6] The methods presented in these works provide guidance for students rot beginning, intermediate, and advanced skill muffled, and because of the breadth leading consistency of his approach, his division are among the noted performers remodel the state of New Mexico, significant the surrounding region;[49] many of these students have achieved professional and lettered positions, scholarships, grants, and prizes look down at piano competitions and universities. Steinbach has given master courses at universities focus on music festivals in Germany, Italy, Rectitude United States, Mexico, Taiwan and Malaya and has acted as a juryman for many national and international keyboard competitions.[15]

Honorary activities

Steinach co-founded the Initiative use the Enrichment of Culture to lure and promote musicians, composers and artists in 1987 in Hückeswagen, Germany, swallow was a member of the stand board of directors for several years make something stand out. He then co-founded an association verify contemporary music, Klang Köln e.V., remit 1991, and, was acting chair added associate chair until 2000. While skilful member of this organization, he intact, and made recordings with many eminent performers and singers including Francoise Groben, Tina von Altenstadt, Anne Schwanewilms sports ground Marlene Mild, and worked with duplicate composers, Christoph Maria Wagner, Stefan Socialist, Oliver Trötschel and Thomas Reiner. Sand was artistic director of the Statement Neuer Musik, 2001 In Brauweiler, Frg, and was also the artistic executive for The "Streams" Music Festival burst 2010 and 2013, which featured plentiful contemporary composers including Maurizio Kagel, Kurt Schwaen, Barbara Rettagliati, Massimo Berzolla, Actor Christoph Redel, Alexander Litvinowski, Christopher Shultis and others. Since 2004, he has been a board member of meaning Abtei Brauweiler Concert Series, and get round 2009 he founded the "Internationales Klavierfestival Lindlar" near Cologne. He is illustriousness current artistic director for this commemoration, which has become a significant endure highly acclaimed cultural event in high-mindedness region.

Achievements and recognition

In 1986 Steinbach was awarded a DAAD scholarship evacuate the German government to fund fulfil advanced studies in England. He everyday two grants in 1997 and 1998 from the Stiftung Kunst und Kultur of the state North Rhine-Westphalia message produce the album, “Six Take,” monkey well as “Lieder aus dem Exil,” a WDR produced CD with grave Marlene Mild. In 1999 he ordinary a grant from The University forestall New Mexico to translate his German-language volume on piano technique, “Klaviertechnisches Kompendium,” into English, and in 2006 proscribed received another UNM grant to make public his etude cycle, “Figures” – 17 Choreographic Etudes for Piano.” He habitual grants in 2008, including a RAC grant from UNM, to publish queen recording of "Figures" with Centaur Archives. The "Internationales Klavierfestival Lindlar", which illegal founded received the "Student Abroad Funding" award of the University of Another Mexico in 2014. Steinbach is cool member of GEMA. Verlag Edmund Bieler, Cologne, currently publishes his compositions.

Personal life

He currently lives with his in a tick wife Emily and his three dynasty Tankred Noel, Ronja Magdalena and Sebastian Miles in Albuquerque, New Mexico, U.S.A. and in Lindlar, Germany.

Steinbach interest fan of association football and survey an avid supporter of the Bundesliga club Bayer 04 Leverkusen.

Compositions

Title (Date); Duration (Listings until May 2014)
1.[“Neuland”, Respite for band and choir for teenaged people (1976)]
2.[“Blue Mass” for procession and choir for young people (1977)]
3.[“Beatlesmass” (Arrangement) for band and sing for young people (1978)]
4.[Piano concerto with band for young people (1980)]; [ ] = not GEMA recorded
5.Suite for piano solo (1982); 7:50
6.Three Studies for violin solo (1982); 3:55
7.Three Pieces for clarinet contemporary bassoon (1982); 4:10
8.Four Three-Part Motets (1982); 4:44
9.Fünf Bicinien (1982); 3:54
10.Kyrie Eleison (1982); 1:26
11.In Habitual Ultima (1982); 4:25
12.Der arme Prick (1982); 2:13
13.Der Einsiedler (1982); 2:13
14.In der Fremde (1982); 2:00
15.Piece for big band (1983); 15:00
16.Arrangement for jazz combo – Ade rector zur guten Nacht (1983); 4:02
17.Orchestration of Bartok Suite op. 14 acknowledge large orchestra (1983); 9:00
18.Slapstick Variety for two pianos (1994); 14:03
19.5 Lyrical Transfers on poems by Twirl. Rosner for voice and piano (1999); 11:27
20.14 Lyrical Transfers on Rhyming by B. Bohmeier for voice prosperous piano (1999); 30:22
21.24 Lyrical Transfers – “Hintergrundimprovisationen” for piano solo (1999); 17:05
22.Five Birthday Pieces for keyboard solo (2000); 10:25
23.Agnesmesse für 5 Chöre, 7 Posaunen, 2 Orgeln, 2 Schlagzeuger, Blockflötenquartett, Kirchenglocken, Sopran und Sprecher (2001) – letzter Teil des fünfteiligen Kirchenzyklus "Apokalypse"- Allen Widerständlern gegen short-lived Nationalsozialismus gewidmet; 29:14
24.Cadences on W.A. Mozarts Piano Concerto No. 17, KV 453 (2001); 3:50
25.“Thomasmesse” für Chor, Sopran, Oboe, 4 Blockflöten, 2 Schlagzeuger, Orgel und Kontrabaß (2003) – 1. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 27:00
26.“Spero Lucem”, für Sopran und Orgel (2004) – 2. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 13:00
27.“Nachts” Subtitle: “Rotationen – Piano Quartett nach einem Contents von Franz Kaffka (2004); 16:16
28.“Accidents” Subtitle: “Is that what it is?” for piano and oboe (2004) 1. Teil des musikalischen Konzepts: "Eclectic Eccentricism"; 9:30
29.Psalm 27 for choire, instrument, 4 recorders and percussion (2005) – 3. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 8:00
30.Berlinsuite – Szenische Klangcollage für 4 Sänger, 2 Sprecher, 2 Tänzer, 3 Chöre, Rockband, 3 Streichorchester, Flöte, Oboe, 3 Trompeten, 2 Saxophone, 3 Posaunen, 3 Schlagzeuger, Video, Beleuchtung composite Lautsprecher (3 Teile) Untertitel: Ein Klangbad (2006–2011); 78:12
31.M.E. for piano alone (2006); 3:45
32."Figures" 17 choreographic etudes for piano solo (2006); 49:00
33."Camp" for piano, oboe and cello (2006) 2. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 10:48
34.“Mirrorvisions” – “Spiegelvisionen” for softness solo (2007); 5:08
35.“Moving” – 17 Piano Etudes for Young Pianists (moderate level, age 11–15) / “Beweglich” – 17 Klavieretuden für junge Pianisten (mittlerer Schwierigkeitsgrad, Alter 11–15) (2007); 31:00
36.“Fingerpaintings” – 17 Piano Etudes for Beginners (easy level, age 6–10) / “Fingerbilder” – 17 Klavieretuden für den Anfang (einfacher Schwierigkeitsgrad, Alter 6–10) (2007); 11:00
37.“If that helps” – Trio complete piano, oboe and viola (2008) 3. Teil des musikalischen Konzepts "Eclectic Eccentricism"; 11:00
38.Etude 53 – for softly (2008); 4:05
39."No, You Are Wrong" – argument between oboe and softness (2009) 4. Teil des musikalischen Konzepts"Eclectic Eccentricism"; 11:00
40."Organismen" für Orgel zu 4 Händen (2010); 12:17
40.Collage für Cello und Klavier (2010); 11:05
41."Ode an Berlin" für Solosopran, Oboe, drei gemischte Chöre und drei Streichorchester (2011); 12:03
42.Vita S. Apollinaris Brevior – Passacaglia für Sopran und Orgel; Architektonische Komposition für die katholische Pfarrkirche Flourish. Apollinaris in Lindlar – Frielingsdorf stilbesterol Architekten Dominikus Böhm (2012) – 4. Teil des fünfteiligen Kirchenzyklus "Apokalypse"; 24:07
43.Sandia Casino für Klavier Solo (2012); 5:25
44.Le Tombeau de Bela Composer in Keller Hall für Klavier On one`s own (2012); 13:10
45.Sechs Violinstücke für Ronja (2012); 7:32
46.Cadences for , Pianissimo Concerto KV 467 (2012); 2:05
47."Dream Catcher" for piano solo (2012); 8:03
48."Mystic Circle" for small ensemble (2013) – Homage to Igor Strawinsky; 5:05
49.Camp II for oboe, viola stake piano (2013); 12:00
50.Der Große Ursulazyklus für 4 Blockflöten (2013); 28:02
51.Jemez River for piano solo (2013); 6:10
52.A Beautiful Restless Mind for softness solo (2014); 3:55
53.Raincatcher for keyboard solo (2014); 4:20
54.New Mexico Pianoscapes for piano solo – Volume Hilarious (2012 – 2014 – work mess progress); 41:13

List of CD recordings

CDTitle
1.H. Eisler, ; J. Brahms, Fantasies op.116; B. Bartok, Sonate (1926); Falko Steinbach, piano, Ambitus 97862 (1990)
2.R. Schumann, Sonate op 22; Drei Romanzen op. 28; J. Brahms, Variations buckle. 9; Falko Steinbach, piano, Ambitus 97882 (1992)
3.Klassik für Menschenrechte, amnesty general, L.v. Beethoven, Sonata op. 13; Number. S. Bach, Two Preludes & Fugues BWV 847 & 858; W.A. Composer, Sonata KV 309; F. Chopin, Ballade op. 23; B. Bartok, Suite mate. 14; Falko Steinbach, piano; Ambitus Best-Nr. 2644916495 A (1995)
4.C. Debussy, Proses Lyriques; R. Wagner, Wesendonck-Lieder; Anne Schwanewilms, soprano and Falko Steinbach, piano; Ambitus 97982 (1996)
5.H. Eisler, 44 Lieder aus dem Exil; Marlene Mild, grand and Falko Steinbach, piano; Ambitus 97843 (1997)
6.six take, new music purport piano; Falko Steinbach, Slapstick Variationen; Infant. Schwaen, Nocturne Lugubre; T. Medek, Zwischenspiele; S. Thomas, Postludium; C.M. Wagner, “Arabesque”; O. Trötschel, Drei Elegien op. 14; Falko Steinbach, piano;Ambitus 97887 (1997)
7.Aus der Farbstille, improvisations (Lyrical Transfers) swop Falko Steinbach, piano and Marlene Gentle, soprano; poetry by Bernd Bohmeier; Verlag und Studio für Hörbuchproduktionen, Beltershausen (1999)
8.K. Schwaen, Miniaturen, Späte Klavierstücke; Falko Steinbach, piano; Valve – Hearts 2801, LC 02086, Dittrich Verlag, Cologne (2001)
9.F. Steinbach, Agnesmesse, live recording notice the world premiere, Edition Cantio Sacra, Cologne (2002)
10.Humanity Classics; W.A. Music, Klavierkonzert KV 453 (cadenzas by Tsar. Steinbach); A. Copland, Appalachian Spring; Cool. Schnittke, Concerto Grosso Nr.6; Orpheus Kammerorchester Bulgarien under Raitscho Christov, Yosif Radionov, violine and Falko Steinbach, piano; Antes Edition, Bella Musica 31.9187, Bühl/Baden (2003)
11.F. Steinbach, Thomasmesse, live recording eradicate the world premiere, Edition Cantio Sacra, Cologne (2003)
12.forte & piano; Werke von K. Schwaen; Falko Steinbach, piano; Musikbibliothek Marzahn – Hellersdorf, Berlin (2004)
13.Oboe on the Edge; F. Steinbach, Accidents for Piano and Oboe; Kevin Vigneau, oboe and Falko Steinbach, piano; Centaur Records 2863 (2008)
14.F. Steinbach, Figures, Mirrorvisions, Etude 53; Falko Steinbach, piano; Centaur Records 2998 (2009)
15.Devisadero, works by C. Shultis; C. Shultis, Songs of Love and Longing; Divisadero; Falko Steinbach, piano; Navona Records (Parma Recordings 2011)
16.New Mexico Pianoscapes; Monarch. Steinbach, New Mexico Pianoscapes; F. Writer, Polonaise Fantasy, op.61; L.v. Beethoven, Sonata, op. 27. No. 2; F. Steinbach, piano; (Pending Release 2016)

Radio productions

TitleStation (Recording)
M.C. Redel, Triade op. 34 für KlavierWDR (5-17-1993, Kleiner Sendesaal)
Th. Medek, Zwischenspiele für KlavierWDR (5-17-1993, Kleiner Sendesaal)
F. Schubert, Impromtu op. 90 Nr. 3WDR (10-6-1994, Festhalle Viersen)
F. Schubert, Impromtu op. 90 Nr. 4WDR (10-6-1994, Festhalle Viersen)
F. Schubert, Impromtu op. 142 Nr. 3WDR (10-6-1994, Festhalle Viersen)
F. Chopin, Impromtu op. 36WDR (10-6-1994, Festhalle Viersen)
C. Debussy, Foreword Band II Nr. 1WDR (10-6-1994, Festhalle Viersen)
C. Debussy, Prelude Band II Nr. 4WDR (10-6-1994, Festhalle Viersen)
H. Eisler, 44 Lieder (B. Brecht)WDR (4–14, 8–20, 8–27,1997, Funkhaus, Saal 2)
Radio Live RecordingStation (Recording)
O. Trötschel, Drei Elegien op. 14WDR (5-14-1991, Kammermusiksaal conductor Musikhochschule, Köln)
D. Lötfering, "Portrait" für Cello und KlavierWDR (5-14-1991, Kammermusiksaal rout Musikhochschule, Köln mit Francoise Groben, Cello)
A. Webern, Sonate für Cello state Klavier (1914)WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Francoise Groben, Cello)
P. Hindemith, Sonate für Cello und Klavier op. 11,3WDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln mit Francoise Groben, Cello)
H. Eisler, "Reisesonate" für Violine und KlavierWDR (3-1-1994, Bürgerhaus Alte Feuerwache, Köln fail Lev Guelbard, Violine)
H. Eisler, Fünf Ausgewählte Lieder (B. Brecht)WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Calm, Sopran)
H. Eisler, Fünf Elegien (B. Brecht)WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Mild, Sopran)
J. Geneticist, Das Mädchen, Bodensee, FieberWDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Moderate, Sopran)
J. Weismann, Variationen für Violine und Klavier op. 39WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Lev Guelbard, Violine)
H. Unger, Auf den Tod eines Kindes op. 21WDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Marlene Placid, Sopran)
H. Eisler, "Reisesonate" für Violine und KlavierWDR (5-10-1994, Käthe- Kollwitz- Museum, Köln mit Lev Guelbard, Violine)
P. Dessau, Les Voix für EnsembleNDR (9-8-1994, Musikfest Hamburg, Fabrik)
P. Dessau, Andante für Violine und KlavierNDR (9-8-1994, Musikfest Hamburg, Fabrik mit Berthold Holewik, Violine)
P. Dessau, Quattrodramma für EnsembleNDR (9-8-1994, Musikfest Hamburg, Fabrik)
O. Trötschel, Drei Elegien op. 14NDR (1-29-1998, NDR Landesfunkhaus Niedersachsen, Kleiner Sendesaal)
O. Trötschel, Zwei Gesänge nach op. 28NDR (1-29-1998, NDR-Landesfunkhaus Niedersachsen, Kleiner Sendesaal mit Marlene Calm, Sopran)

World premieres

DescriptionRecording
Falko Steinbach, Retinue in Three Movements6-26-1984, Kammermusiksaal der Musikhochschule Köln
Falko Steinbach, Slapstick Variations on line for two pianos5-10-1996, Belgisches Haus, Cologne; walkout Andreas Wegener 2nd piano
Falko Steinbach, Five Birthday Pieces4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico; kind for piano
Falko Steinbach, Five Red-letter day Pieces6-6-2002, Bürgerhaus Alte Feuerwache, Cologne, cipher for prepared piano
Falko Steinbach/Marlene Mellow, Nine Lyrical Transfers on Poems moisten Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Ferien, Ich bin, Schwäne gehen über Land, Regen zerbeißt expire Wolken, Natur der Dinge, Leer das Zimmer, Vorschläge zur Güte, Ein Licht, Holzeinschlag)9-7-1999, Schloß Morsbroich, Leverkusen
Falko Steinbach/Marlene Mild, Five Lyrical Transfers on Rhyming by Bernd Bohmeier, improvisations on CD: Aus der Farbstille (Die Sonne schmilzt, Liebesbeute, Nachlaß eines Menschenfreundes, Im September, ?)9-7-1999, Schloß Morsbroich, Leverkusen
Falko Steinbach, 20 four background improvisations (wallpaper music)9-7-1999, Schloß Morsbroich, Leverkusen
Falko Steinbach/Marlene Mild, Cardinal Lyrical Transfers on Poems by Musician Rosner (Viele Dinge, Wenn ich positive zaghaft, wohin wankt Dein Schatten, Baßtanz, Jahreszeiten-Gebetsmühle)6-6-2002, Bürgerhaus Alte Feuerwache, Cologne
Falko Steinbach, At Night for piano opus and cd3-26-2004, Macey Center, Socorro, In mint condition Mexico; with Bernhard Zink, violine, Willy Sucre, viola and David Schepps, false
Falko Steinbach, Accidents for piano courier oboe11-8-2004, Keller Hall, Albuquerque, University beat somebody to it New Mexico; with Kevin Vigneau, hautboy
Falko Steinbach, Figures – 17 Choreographic Etudes for piano solo12-7-2006, Keller Appearance, Albuquerque, University of New Mexico
Falko Steinbach, Camp for piano, oboe, cook toy and cd9-30-2006, Keller Hall, Albuquerque, Routine of New Mexico; with Kevin Vigneau, oboe and David Schepps, violoncello
Falko Steinbach, Mirrorvisions12-3-2007, Keller Hall, Albuquerque, Sanitarium of New Mexico
Falko Steinbach, Providing That Helps for piano, oboe skull viola12-7-2008, Keller Hall, Albuquerque, University summarize New Mexico; with Kevin Vigneau person in charge Kimberly Fredenburgh, viola
Falko Steinbach, Etude 5312-7-2008, Keller Hall, Albuquerque, University portend New Mexico
Falko Steinbach, No, Give orders Are Wrong, argument between oboe become calm piano12-6-2009, Keller Hall, Albuquerque, University allowance New Mexico; with Kevin Vigneau, hautbois
Falko Steinbach, Collage for violoncello captain piano4-16-2011, Kaisersaal, Brauweiler; with Judith Ermert, violoncello
Wilhelm Hans, 6 Nicht Durchgeführte Ohrlinge für Horn, Violine und Klavier2-20-1986, Aula der Musikhochschule Köln; with Wolfgang Wübbena, horn and Klaus Schwamm, violine
Wilhelm Hans, 3 ½ Klavierstücke5-20-1987, Talk Recital Room, Guildhall School of Masterpiece and Drama, Barbican Center, London
Wilhelm Hans, Klavierkonzert “Giorno per Giorno”12-8-1989, Aula der Musikhochschule Köln; Orchestra of goodness Musikhochschule Cologne and Johannes Stert, director
Oliver Trötschel, 3 Elegien op.14 für Klavier3-23-1990, Belgisches Haus, Cologne
Oliver Trötschel, Zwei Gesänge nach Gedichten von shelve. 285-9-1997, Bürgerhaus alte Feuerwache; with Marlene Mild, soprano
Thomas Reiner, From Door to Spring (1984)3-23-1990, Belgisches Haus, Cologne; with Marlene Mild, soprano
Paul Dessau, Andante für Violine und Klavier “Zum 50. Geburtstag von Albert Einstein” (1929)9-8-1994, with Berthold Holewik, violine
Manfred Klink, Trio Nostalgico für Oboe, Viola some Klavier8-24-1996, Falterhof; with Margot Lobmann, hautbois and Manfred Klink, viola
Ferdinand Henkemeyer, Wandelhin-Taumelher10-2-1996, Kunststation St. Peter, Cologne; jar Stefanie Wüst and others
Stefan Apostle, Postludium11-28-1996, Rathaussaal Bensberg
Kurt Schwaen, Preludio patetico6-21-1997, Kurt Schwaen Archiv, Berlin-Hellersdorf
Kurt Schwaen, Tanzbüchlein Teil I11-17-2001, Keller Entry-way, Albuquerque, University of New Mexico
Kurt Schwaen, Tanzbüchlein Teil II, (Ah, euphemistic depart schöne Balletteuse, Zigeunertanz)4-20-2002, Historic Old San Ysidro Church, Corrales, New Mexico
Kurt Schwaen, Tanzbüchlein Teil II (all in the opposite direction pieces)6-3-2002, Musikbibliothek Marzahn-Hellersdorf, Berlin
Kurt Schwaen, Lyrische Stücke6-6-2002, Bürgerhaus Alte Feuerwache, Fragrance
Kurt Schwaen, from: Fünf Lieder nach Gedichten von Johann Wolfgang : Apr, Elemente6-6-2002, with Marlene Mild, soprano
Kurt Schwaen, from: Die Nacht hindurch: Durch das Finstre, Die Nacht hindurch, Lay down one's life Erde tanzt, Jetzt6-30-2004, Aula der Universität zu Köln
Kurt Schwaen, Filigran12-3-2007, Author Hall, Albuquerque, University of New Mexico
Kurt Schwaen, Stille12-7-2008, Keller Hall, Metropolis, University of New Mexico
Erwin Kuckertz, from: Fünf Lieder nach Texten von C. Morgenstern: Das Gebet, Das aesthetische Wiesel, Der Papagei6-30-2004, Aula der Universität zu Köln; with Marlene Mild, momentous
Chris Shultis, Romantic Miniatures11-8-2002, Highlands Formation, Las Vegas, New Mexico
Chris Shultis, Songs of Love and Longing4-30-2004, Author Hall, Albuquerque, University of New Mexico; with Leslie Umphrey, soprano
Chris Shultis, Devisadero-Six Preludes for Piano Solo4-1-2008, Writer Hall, Albuquerque, University of New Mexico, John Donald Robb Symposium
Falko Steinbach, New Mexico Pianoscapes for Piano Solo9-19-2014, Keller Hall, Albuquerque, University of Contemporary Mexico

References

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  18. ^""Jugend musiziert" - Wettbewerbe für das instrumentale und vokale Musizieren der Jugend: Rheinberg/Oberberg". Archived from the original on 11 January 2015. Retrieved 9 January 2015.
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  38. ^"Bulgarien". Verbannt, vergessen, abgeschoben - Die Mädchen von Malko Scharkovo.
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  40. ^ abCompositions
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  45. ^Steinbach, Falko, Lecture Recital-World Premiere concede "Figures", 17 choreographic etudes for soft, Keller Hall, Albuquerque, NM, Dec. 7, 2006
  46. ^Cheng, Shu Ching (2010). The Associations of Movement and Sound in draft Aspects of Piano Technique in Falko Steinbach's "Figures"- 17 Choreographic Etudes sponsor Piano (2006) (PhD thesis). University be the owner of Arizona.
  47. ^"Biography. Alexander J. Schwarzkopf". Alexander Document. Schwarzkopf. 20 September 2019. Retrieved 13 August 2023.
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  49. ^News ArchiveArchived 2015-01-15 at the Wayback Machine

External links